Digital Intermediate

Built on the needs of the independent film community, Final Frame specializes in quality finishing. Every project starts with a one-on-one workflow consultation in which one of our experienced workflow specialists will help you decide the best route to finish. From there one of our online editors will receive your media and start converting and assembling your project from any source for an uncompressed HD, 2K or 4K finish. After that, take a front row seat in one of our three DI theaters with a colorist to start designing the perfect look for your project.


The best way to do something yesterday may not be the best way today. Our workflow specialists are here to help you design the best pipeline for your footage into the digital intermediate with the latest technology available. Whether you’ve shot a single format like RED Weapon, ARRI Alexa, Canon C300, or 5D Mark II, or are mixing every camera available, we’ll walk you through the steps to getting the best results possible.


  • Advanced frame rate and format conversions
  • Grain management and dust busting
  • Paint out shot imperfections
  • Image stabilization
  • Convert subtitles and lower thirds from Avid, Final Cut, or Premiere


  • Top of the line Nucoda Film Master and DaVinci Resolve color grading systems
  • Color in REC709, P3 or ACES, depending on your workflow and delivery
  • Color directly from your RAW source files
  • 4K 4:4:4 projection with 5.1 sound
  • Three DI theaters